This week, if you want to understand the secret of a great tablao, don’t look only at the voice or the feet. Listen to the guitar that builds it all. On guitar, Ricardo Vázquez — the soul of our ensem
Many people come to the tablao and are captivated by the power of the footwork or the raw cry of the singer. And that’s fine.
But this week, we invite you to focus on the man who makes it all possible — the architect who builds the stage so that others may shine: guitarist Ricardo Vázquez.
Ricardo is one of those rare guitarists. His mastery isn’t about flashy virtuosity, but about a deep understanding of singing and dance. His guitar doesn’t scream — it speaks, it whispers, it holds everything together. He knows exactly which falseta a singer needs to catch their breath, which strum the dancer’s body demands, and above all, he masters silence — that moment that changes everything.
Having him in the cuadro is a guarantee of true flamenco and solid grounding. His playing is pure, with a groove that seeps into your body and a rhythm that anchors everyone on stage.
To witness him up close at Tablao 1911 is to experience a flamenco masterclass — the kind that’s slow-cooked and full of soul.
If you want to understand the force that fuels the duende, don’t miss this.
On August 2nd and 3rd, the maestro gifts us two unrepeatable nights in the oldest tablao in the world. An intimate and powerful experience that can only be lived live.
Passion has its own names this week at Tablao 1911. Get ready to feel art in its purest form with a top-notch lineup that promises unforgettable nights in the heart of Madrid.
This week, one of the most powerful names in contemporary flamenco shines once again on our stage: José Maya.
There are musicians who have rhythm, and then there’s Lucky Losada, who IS rhythm.
This week the driving force of our tablao has his name.
In flamenco, a guitarist’s touch is said to “carry weight” when it has roots, truth, and rhythm. This week, the touch that commands Tablao 1911 belongs to David Cerreduela.
There are dancers who learn flamenco. And then there are those like Vanesa Coloma, who were born with it in their blood. Madrid runs through her veins and bursts out with every footstep.
