This week at Tablao Flamenco 1911, we welcome one of the greatest guitarists: David Cerreduela.
When David places his fingers on the strings, flamenco stands up and listens. His guitar doesn’t impose, it speaks. It doesn’t shout, it whispers secrets to the singer. It’s a touch that embraces, understands silence, and knows exactly when to stir the soul.
Son of the great “Nani”, he carries wisdom in his blood and innovation in his mind.
Don’t miss it. Book your night and experience David Cerreduela live.
This week we’re joined by the genius of the Flamenco Cajón: Lucky Losada.
Having him at the cajón means confidence — for the singer, the dancer, and the audience. He doesn’t just accompany; he supports. He’s the architect of rhythm, the one who lays the foundation so everyone else can soar.
He comes from a family of geniuses, and that can’t be learned — it’s in his blood. Watching him is a flamenco masterclass from head to toe.
The Master Returns. Antonio Canales at Tablao 1911.
There are names that are, in themselves, living history of flamenco. Antonio Canales is one of them. And from December 5 to 7, the maestro’s duende returns to the place where time stands still: Tablao Flamenco 1911, the oldest in the world.
Those who have seen him on stage know it is not just dance. It is strength, elegance, and the weight of a life devoted to flamenco. Canales needs no introduction: he has danced with the greatest, from Paco de Lucía to Camarón, becoming a giant in his own right, honored with the National Dance Award.
But awards cannot explain what it feels like to have him just a few meters away. Watching him live means feeling how every footwork resonates in your chest and every gesture tells a story. One of those experiences that remain engraved in memory.
Three unique nights, with two shows each (21:00 and 22:30), to witness the magic up close.
Tickets for such an event are naturally limited. Don’t miss yours.
Book your place in flamenco history.
Although born in Madrid, her rhythm beats with the pulse of Utrera and Lebrija. Flamenco runs through her veins — a legacy that turned into dance when, at just three years old, she was already responding to her grandfather’s guitar at home. Her path has been a whirlwind of precocity and passion: at five she dared to step on stage with a farruca, and soon after, her art crossed borders with the viral phenomenon of Las Turroneras.
Today, at eighteen, her dance has been endorsed by a figure like El Farru, and she is a regular presence in the most prestigious tablaos of Madrid and Seville, while continuing to learn from great masters at the Fundación Cristina Heeren and the Amor de Dios school.
This is not the story of a promise — it is the reality of an artist with an overwhelming present. A unique opportunity to feel flamenco at its purest: full of the strength of tradition and the explosive energy of youth. We’re waiting for you.
María Moreno is coming to Tablao Flamenco 1911, and that means something. Because when art comes straight from the cradle, it shows.
It’s not just technique, it’s heritage. It’s the raw force of Cádiz, wrapped in a disarming elegance. Every movement tells a story and every footwork is a tear that hits you directly, unfiltered. A pellizco that doesn’t ask permission and sinks into your soul.
If you’re looking for real flamenco—the kind that gives you goosebumps and leaves you speechless—this is it. And having such an artist just steps away, in the brutal closeness of our tablao… that’s a luxury. There’s no distance here. You feel her energy, her breath, the wood vibrating beneath her feet. It’s an experience you won’t forget.
Secure your spot—these seats go fast!
Many people come to the tablao and are captivated by the power of the footwork or the raw cry of the singer. And that’s fine.
But this week, we invite you to focus on the man who makes it all possible — the architect who builds the stage so that others may shine: guitarist Ricardo Vázquez.
Ricardo is one of those rare guitarists. His mastery isn’t about flashy virtuosity, but about a deep understanding of singing and dance. His guitar doesn’t scream — it speaks, it whispers, it holds everything together. He knows exactly which falseta a singer needs to catch their breath, which strum the dancer’s body demands, and above all, he masters silence — that moment that changes everything.
Having him in the cuadro is a guarantee of true flamenco and solid grounding. His playing is pure, with a groove that seeps into your body and a rhythm that anchors everyone on stage.
To witness him up close at Tablao 1911 is to experience a flamenco masterclass — the kind that’s slow-cooked and full of soul.
If you want to understand the force that fuels the duende, don’t miss this.
Book now and feel the magic of the Flamenco Guitar at Tablao Flamenco 1911
This coming Friday, 10 July 2026, Tablao Flamenco 1911 — the former Villa Rosa — will host one of the selective rounds of the 65th Festival Internacional del Cante de las Minas, the most prestigious flamenco competition in the world.
This qualifying round will bring together top-level artists competing in the cante, guitar and flamenco dance categories, hoping to reach the semi-finals to be held in La Unión (Murcia). The draw and sound check will begin at 10:00, with the event itself starting at 12:00 noon.
Confirmed participants
Guitar:
Jesús Carbonell “Logroño”
Dance:
Lisiane Sfair Denardi “Madrid”
Nicolás Jurado Ibáñez “Málaga”
Cante:
María del Carmen González Vento “Cartaya” (Huelva)
Rafael Plantón Heredia “Córdoba”
Juan Miguel Barquero Hidalgo “Quintana de la Serena” (Badajoz)
A top-tier jury
- Eduardo Guerrero: Dancer and choreographer from Cádiz, winner of the ‘Desplante’ award in 2013.
- Juan Pinilla: Flamenco cantaor and researcher, one of this year’s new additions to the jury.
- José Manuel Gamboa: Producer, guitarist and renowned flamenco writer and historian.
- Kyoko Shikaze: Journalist and promoter of flamenco in Japan.
- Juan Parrilla: Distinguished composer, flautist and music creator.
- Paco Paredes: Flamencologist and scholar of cante jondo.
The success of last year’s edition
Last year, the choice of our tablao as the setting for this prestigious event did not go unnoticed. The most relevant media outlets in the cultural and flamenco world covered the occasion:
- Telemadrid: Highlights it as one of the essential flamenco plans of the weekend in the capital. [See the news]
- Revista La Flamenca: States it clearly in its headline: “The Madrid tablao 1911, venue for the selective rounds of the Festival de las Minas”. [Read the article]
- Time Out Madrid: Features the event in its guide, noting the chance to discover the artists competing in one of Spain’s most important festivals. [Check the guide]
- DeFlamenco.com: Underlines Madrid’s importance as the stage for a new selective phase of the festival at our tablao. [Read more]
- Official Festival Website: The festival itself announces the event, referring to our space as “The Temple of Flamenco in Madrid”. [See the official statement]
⏰ Tickets — Limited places
Price: 8€ | Capacity limited to 120 people
Book your place:
📱 650 635 125 (WhatsApp)
☎️ 91 491 50 56
✉️ reservas@tablaoflamenco1911.com
A unique chance to experience flamenco in its purest form and discover the future figures of the national and international scene.
With a precision that defies the human, José Escarpín holds the Guinness World Record for the most heel taps per minute.
This week, his talent takes over the most historic flamenco stage: Tablao Flamenco 1911.
Escarpín is strength, speed, and rhythm. A bailaor who turns every footwork into a spectacle and every pose into applause.
Acclaimed internationally, he arrives in Madrid to offer a series of performances where technical virtuosity meets pure passion.
This is not just flamenco. It’s living history dancing over century-old wood.
Don’t miss it. Book your ticket.
Laura Fúnez brings her personal style to the stage of Tablao 1911, where the Escuela Bolera meets today’s flamenco.
Technique, presence, and pure artistry in every step.
Paula Moreno takes the stage this week at Tablao 1911.
From San Fernando, birthplace of great flamenco legends, this dancer stands out for her powerful presence and natural elegance. She has trained with icons like Pastora Galván, Farruquito, and Fuensanta La Moneta, and has been recognized in major flamenco competitions across Spain.
With a solid career on stage — from Cádiz’s peñas to the Festival de Jerez — Paula blends technique, passion, and expressiveness that leaves no one indifferent.
A true flamenco soul you must experience live. Don’t miss it!
