The three secret passages

As they would say in the tales of princesses and princes, legend has it that King Alfonso XIII accessed to the Tablao through the passages that connected the reserved basement of the tablao and the Royal Palace so as not to be seen openly by the people.

If we open the door that gives access to this passageway we can see that there were three galleries, although at present they are completely walled up, except for the Palace, which has a small door through which barely fits a person. Incredible, isn’t it?

Another led to the Plaza de Neptuno where we can find the historic luxury hotels Palace and Ritz and through which we imagine to advance to “the gentlemen” hidden from prying eyes.

The third one, already walled up, we do not know exactly where it goes.

As you can see, there are still many secrets to discover and new anecdotes to create in the Tablao Flamenco 1911, the Cathedral of Flamenco in Madrid.

Flamenco shows

March 8

Flamenco Women’s Day in Madrid: 100% Female Show this March 8

Tablao 1911 celebrates Women’s Day with the Cycle “3 Generations of Flamenco Women”.

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Programacion Artística 2-8 Marzo Tablao Flamenco 1911
From March 2 to March 8

Flamenco Madrid Daily Show

This week, our flamenco ensemble renews itself to offer you an experience full of nuances and overflowing talent.

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From March 2 to March 8

José Escarpín and his Guinness World Record at Tablao Flamenco 1911

The Guinness World Record of flamenco arrives at the oldest flamenco tablao in the world: Tablao Flamenco 1911.

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Raquel La Tosito
From March 2 to March 8

The mastery of Raquel Ortega at Tablao Flamenco 1911!

Come and enjoy the strength and elegance of Raquel Ortega!

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From March 2 to March 8

Paula Rodríguez returns to 1911

Paula Rodríguez, pure passion, strength, and elegance!

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Claudia de Utrera bailando en el escenario del Tablao Flamenco 1911
From March 3 to March 5

The Old Soul of a New Talent: Claudia de Utrera

We invite you to discover the strength and maturity of Claudia de Utrera, a dancer who proves that art

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