As they would say in the tales of princesses and princes, legend has it that King Alfonso XIII accessed to the Tablao through the passages that connected the reserved basement of the tablao and the Royal Palace so as not to be seen openly by the people.
If we open the door that gives access to this passageway we can see that there were three galleries, although at present they are completely walled up, except for the Palace, which has a small door through which barely fits a person. Incredible, isn’t it?
Another led to the Plaza de Neptuno where we can find the historic luxury hotels Palace and Ritz and through which we imagine to advance to “the gentlemen” hidden from prying eyes.
The third one, already walled up, we do not know exactly where it goes.
As you can see, there are still many secrets to discover and new anecdotes to create in the Tablao Flamenco 1911, the Cathedral of Flamenco in Madrid.
On August 2nd and 3rd, the maestro gifts us two unrepeatable nights in the oldest tablao in the world. An intimate and powerful experience that can only be lived live.
Passion has its own names this week at Tablao 1911. Get ready to feel art in its purest form with a top-notch lineup that promises unforgettable nights in the heart of Madrid.
This week, one of the most powerful names in contemporary flamenco shines once again on our stage: José Maya.
There are musicians who have rhythm, and then there’s Lucky Losada, who IS rhythm.
This week the driving force of our tablao has his name.
In flamenco, a guitarist’s touch is said to “carry weight” when it has roots, truth, and rhythm. This week, the touch that commands Tablao 1911 belongs to David Cerreduela.
There are dancers who learn flamenco. And then there are those like Vanesa Coloma, who were born with it in their blood. Madrid runs through her veins and bursts out with every footstep.
