Women in Flamenco: History, Evolution and Key Figures

Women have played a fundamental role in the history of flamenco since its origins in the 19th century. Although for a long time their participation was linked to private spaces and limited recognition, their presence has been decisive in the evolution of this art in all its disciplines: singing, dance and guitar.

Over time, flamenco women have conquered new spaces, transformed the artistic language of flamenco and become protagonists of their own history.

The role of women in the origins of flamenco

From the first cafés cantantes to the tablaos of the 20th century, women have been present in the development of flamenco, although within a complex social context. Their participation was essential for the transmission of the art, especially within the family sphere and in popular spaces where flamenco began to take shape.

Flamenco woman at the tablao

Dance cast on the stage of a singing cafe. Nuevo mundo (Madrid). nº 770 8/10/1908

In 1911, the year in which the current Tablao Flamenco 1911 opened its doors, the situation of women in flamenco reflected the social limitations of the time, but also their enormous creative and expressive capacity.

The evolution of flamenco women in the 20th century

Progressively, women opened a path for themselves in the professional and public sphere of flamenco, managing to conquer new spaces.

Female singers, dancers and guitarists began to occupy a central place on stage, moving from traditional interpretation to their own artistic creation.

Flamenco woman playing the guitar

Sevillian lady playing the guitar. E. Gateau/ J.Laurent. 1878.Ruiz Venacci Archive, NIM 17618. Photo library of the Cultural Heritage Institute of Spain. Ministry of Culture.

Figures such as Carmen Amaya marked a turning point in the history of flamenco dance, taking their art beyond the borders of Spain and breaking the established conventions of the time.

Flamenco woman. Carmen Amaya

Carmen Amaya. Unknown.

Women in contemporary flamenco: creation, management and transmission

At present, the role of women in flamenco goes far beyond the stage. Dancers, singers and guitarists coexist with promoters, cultural managers, researchers, photographers and teachers who work actively to preserve, study and disseminate this cultural heritage.

Thanks to recent research and new publications, forgotten female figures have been recovered and the perspective on women’s contribution to flamenco throughout its history has been broadened.

🔴 March 2026 Update: To honour this history and celebrate flamenco during International Women’s Week, Tablao Flamenco 1911 presents the cycle “3 Generations”, which will turn this celebration into Women’s Week. A unique performance directed by Premio Desplante winner Paula Rodríguez Lázaro.

Flamenco shows

Programación Artística Semanal 3-9 Agosto Tablao Flamenco 1911
From 3 to 9 August

Flamenco Madrid Daily Show

This week, our flamenco ensemble renews itself to offer you an experience full of nuances and overflowing talent.

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El bailaor Juan Carlos Avecilla durante su actuación de flamenco en el Tablao Flamenco 1911.
From 3 to 9 August

Juan Carlos Avecilla: the force of Cádiz in the Cathedral of Flamenco

Only the greats set foot on the oldest stage in the world. The force of Cádiz in Juan Carlos Avecilla, just a couple of metres from you.

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La bailaora Carmen Young en pleno braceo durante su actuación en el Tablao Flamenco 1911.
From 3 to 6 August

Carmen Young: elegance turned into dance at Tablao 1911

She crossed an ocean to learn to dance flamenco. Today she dances it with an elegance that can't be taught.

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7 August

Marina Perea: roots flamenco dance at Tablao 1911

Málaga-born bailaora Marina Perea returns to the stage of Villa Rosa.

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Claudia de Utrera bailando en el escenario del Tablao Flamenco 1911
From 8 to 9 August

The Old Soul of a New Talent: Claudia de Utrera

We invite you to discover the strength and maturity of Claudia de Utrera, a dancer who proves that art

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