Artists

Felipe Maya

percusion

Felipe Maya, a native of Madrid, comes from a family of guitarists with a strong artistic influence from an early age, thanks to his parents Jerónimo Maya and Felipe Maya. Since his childhood, he showed an affinity for the sounds generated by the blows, which led him to discover his vocation in percussion.

His innate talent for playing percussion was discovered by David Jiménez and Laura Abadía who saw in him something that Felipe was not yet aware he had. At the age of 15, Laura taught him how to carry the rhythm by whispering in his ear. Later, Felipe joined the company of dancer Curro de Candela and together they were part of “Afrogitano”, a work that explores universal human emotions and dialogues through dance, without losing the essence and elegance of flamenco.

Today, Felipe shines as a percussionist on the stage of Cardamomo and Tablao flamenco 1911, sharing his art with outstanding artists such as Farruquitoand “Joselillo Romero”. For him, sharing the stage with them is an impressive experience, difficult to express in words. As a percussionist, he considers it crucial to maintain a strong connection with himself and to make his music generate a deep union with the other artists and the audience present.

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Flamenco shows

From August 4 to 10

El Yiyo: The New Legend of Flamenco

The stage welcomes a flamenco phenomenon: El Yiyo.

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Tablao Flamenco 1911. Programación artística semanal 4 -10 Agosto
From August 4 to 10

Flamenco Madrid Daily Show

This week, Flamenco has a name and surname at the Oldest Tablao in the World.

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From August 4th to 6th

Paula Rodríguez returns to 1911

Paula Rodríguez, pure passion, strength, and elegance!

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From August 4 to 10

Jesús Montoya lights up our tablao!

The Master of the Flamenco Sax and Flute!

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Ricardo Vázquez con su guitarra sobre el escenario de Tablao Flamenco 1911.
From August 6th to 10th

Ricardo Vázquez, master of the guitar, this week at Tablao 1911

This week, if you want to understand the secret of a great tablao, don’t look only at the voice or the feet. Listen to the guitar that builds it all. On guitar, Ricardo Vázquez — the soul of our ensem

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