Artists

“El Tete”

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Ricardo Fernández, artistically known as “El Tete”, is a talented flamenco dancer born in 2000 in Sant Roc, Badalona (Barcelona). Despite his youth, he has managed to stand out in the world of flamenco and has found his place in it. His dancing is characterized by its strength and elegance, which has led him to achieve great success in his career. From an early age, he has had the opportunity to share the stage with renowned flamenco artists, which has contributed to his artistic growth.

“El Tete” has participated in numerous shows throughout his career, demonstrating his passion and admiration for flamenco dance and culture. His talent has been influenced by flamenco greats such as Joaquín Cortés, José Maya, Farruquito and his older brother, “El Yiyo”.

In recent years, “El Tete” has had the opportunity to perform as a resident in festivals and flamenco venues, such as Cardamomo Flamenco and Tablao Flamenco 1911. His art reflects a remarkable artistic maturity, which has allowed him to stand out and leave a mark in the world of flamenco dance.

 

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Flamenco shows

María Moreno en el escenario de Tablao Flamenco 1911
From March 9 to March 15

María Moreno, Pure Cádiz at Tablao 1911.

The power and grace of Cádiz shake the walls of Tablao 1911.

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Programacion Artística Tablao Flamenco 1911 9-15 Marzo
From March 9 to March 15

Flamenco Madrid Daily Show

This week, our flamenco ensemble renews itself to offer you an experience full of nuances and overflowing talent.

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March 10

Mariano Lozano, flamenco purity

Don’t miss the chance to see one of the greatest flamenco dancers. Mariano Lozano.

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From March 11 to March 15

José Escarpín and his Guinness World Record at Tablao Flamenco 1911

The Guinness World Record of flamenco arrives at the oldest flamenco tablao in the world: Tablao Flamenco 1911.

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Noelia Ruiz sobre las tablas de Tablao Flamenco 1911
From March 9 to March 15

Noelia Ruiz: The Art of Malaga at Tablao Flamenco 1911

From the stages of the Ballet Nacional to the intimacy of our tablao.

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