ANA BELÉN ÁLVAREZ MORENO, flamenco dancer, was born in El Padul (Granada) in 1979 and began her training in the school of Mariquilla (Granada). Later she continued her training with Cristobal Reyes, Juan Andrés Maya, Javier Varón, Manolete, Belén Maya, Rafaela Carrasco and finally with the master Mario Maya. She has also acquired training in Classical and Contemporary Dance, as well as in Dramatic Art and solfeggio.
She has worked in the ballet of Mariquilla and Juan Andrés Maya, being first dancer in “Mis Raíces” show of Juan Andrés Maya for the Festivals of Music and Dance of Granada (1996). She has worked in the corps de ballet of “El Amor Brujo” and “Flamenco Soy” both shows presented in the 45th edition of the Festivales de Música y Danza de Granada.
She has worked as a soloist dancer on tour with Curro Albayzín, and in various shows of the Sacromonte Dance or Zambra of Granada. In 2003, she presented her own show at La Chumbera and in 2004 she was part of Mario Maya’s company working at the Villamarta Theater in the Jerez de la Frontera Flamenco Festival.
On August 2nd and 3rd, the maestro gifts us two unrepeatable nights in the oldest tablao in the world. An intimate and powerful experience that can only be lived live.
Passion has its own names this week at Tablao 1911. Get ready to feel art in its purest form with a top-notch lineup that promises unforgettable nights in the heart of Madrid.
This week, one of the most powerful names in contemporary flamenco shines once again on our stage: José Maya.
There are musicians who have rhythm, and then there’s Lucky Losada, who IS rhythm.
This week the driving force of our tablao has his name.
In flamenco, a guitarist’s touch is said to “carry weight” when it has roots, truth, and rhythm. This week, the touch that commands Tablao 1911 belongs to David Cerreduela.
There are dancers who learn flamenco. And then there are those like Vanesa Coloma, who were born with it in their blood. Madrid runs through her veins and bursts out with every footstep.
