
El Yiyo: The New Legend of Flamenco
The stage welcomes a flamenco phenomenon: El Yiyo.
It is a bulería sung at a slower tempo. We can find it under other names such as bulería por soleá, bulerías al golpe, bulerías para escuchar… However, it is called soleá por bulerías when it is used for dancing.
This style has, like the soleá, a cathartic function. However, it is not as solemn and serious a style as this one.
You will find themes similar to those of the soleá, such as pain or sorrow, which seeks the introspection of the person who interprets it. However, these themes, being supported by a lighter rhythm, will not seek the same level of solemnity.
The costumes used are dark and sober, helping to introduce us into the atmosphere. In general, we will find few accessories in this dance.
The structure of this dance is shared with the soleá. However, the more lively rhythm of the soleá por bulerías makes it a less static and solemn interpretation, allowing for more movement and footwork.
This style appears in slate recordings under the name of bulerías, reaffirming that its roots come from these. We find this style associated with the city of Jerez de la Frontera because of the number of singers from this place who have performed this palo (style). Since the beginning of the 20th century we can listen to recordings of bulerías por soleá by performers such as Tomás Pavón or Pastora Pavón ‘La niña de los peines’.