Born in Santander, Paula captivates with her charm and energy, offering a unique show.
Paula began dancing at the age of four at the Centro Autorizado de Danza Armengou and then continued her studies in classical and contemporary dance with Gema de Beraza, Spanish dance with Carmen Armengou and flamenco with Paz Diaz.
In 2007, she completed her studies in Madrid, at the Centro de Danza Española y Flamenco Amor de Dios with teachers such as Truco, María Juncal, Alfonso Losa, Pepa Molina, and more exclusively with the teacher Merche Esmeralda.
In 2011, she has taken classes in Seville with Juana Amaya, Andrés Peña and Ramón Martínez and in 2009 with Mercedes Ruiz in Jerez de la Frontera. The following year she continues her training with Rocío Molina in Barcelona (2010) and with Eva Yerbabuena in Barcelona (2013).
In 2021, Paula has participated in the Festival Flamenco de las Minas, the most prestigious flamenco contest in Spain that any artist wants to win. She obtains the first prize in the modality of desplante, with a sublime Taranto.
Since 2014 she has worked regularly in Madrid tablaos such as “La Taberna de Mister Pinckleton”, “La estación de los Porches”, and “Casapatas”. Since the end of 2017 she has been a regular dancer at the excellent tablao “Cardamomo”, sharing boards with Juan Andrés Maya and Antonio Canales.
She currently directs her own company. Her latest show “Mi Tarara” was premiered in October 2018 with a full capacity of 600 people at the Casyc theater in Santander.
On August 2nd and 3rd, the maestro gifts us two unrepeatable nights in the oldest tablao in the world. An intimate and powerful experience that can only be lived live.
Passion has its own names this week at Tablao 1911. Get ready to feel art in its purest form with a top-notch lineup that promises unforgettable nights in the heart of Madrid.
This week, one of the most powerful names in contemporary flamenco shines once again on our stage: José Maya.
There are musicians who have rhythm, and then there’s Lucky Losada, who IS rhythm.
This week the driving force of our tablao has his name.
In flamenco, a guitarist’s touch is said to “carry weight” when it has roots, truth, and rhythm. This week, the touch that commands Tablao 1911 belongs to David Cerreduela.
There are dancers who learn flamenco. And then there are those like Vanesa Coloma, who were born with it in their blood. Madrid runs through her veins and bursts out with every footstep.
