{"id":53835,"date":"2025-04-10T19:16:29","date_gmt":"2025-04-10T17:16:29","guid":{"rendered":"https:\/\/tablaoflamenco1911.com\/es\/?p=53835"},"modified":"2026-03-02T17:07:04","modified_gmt":"2026-03-02T16:07:04","slug":"diccionario-flamenco","status":"publish","type":"post","link":"https:\/\/tablaoflamenco1911.com\/fr\/glossaire-flamenco\/","title":{"rendered":"Glossaire Flamenco"},"content":{"rendered":"

<\/p>\n

Parlons Flamenco : Les 49 Mots Cl\u00e9s pour parler notre langue.<\/h2>\n

Avant toute chose, tu dois savoir une chose : le flamenco, \u00e7a ne s\u2019apprend pas dans les livres \u2014 \u00e7a se vit.
Je ne vais m\u00eame pas te demander si tu vas venir au Tablao Flamenco 1911<\/strong><\/a>, parce qu\u2019on sait que tu vas le faire (ou du moins, tu devrais).<\/p>\n

C\u2019est pour \u00e7a qu\u2019on t\u2019offre ce petit dictionnaire \u2014 parce qu\u2019on sait que \u00e7a aide \u00e0 comprendre ce qui se passe quand ce frisson te traverse le corps.
Alors voil\u00e0 quelques mots-cl\u00e9s, pour ne pas te perdre et profiter encore plus quand tu viendras nous voir.<\/p>\n

Ce n\u2019est pas une encyclop\u00e9die. C\u2019est juste toi et moi \u2014 pour qu\u2019on se comprenne.<\/p>\n

Ce qui vient de l’\u00e2me : La Voix et le\u00a0<\/span>Cante<\/span><\/strong><\/h3>\n
    \n
  • \n

    Cante :<\/strong><\/span>\u00a0Bon, \u00e7a veut dire chanter. Mais en flamenco, c’est… autre chose. C’est la voix qui d\u00e9chire l’air. \u00c7a peut \u00eatre\u00a0<\/span>jondo<\/strong><\/span>\u00a0(ce qui fait mal, le profond, le s\u00e9rieux) ou\u00a0<\/span>chico<\/strong><\/span>\u00a0(l’ambiance de f\u00eate, le fun, l’amour plus l\u00e9ger). Et puis il y a des choses entre les deux. Chaque\u00a0<\/span>palo<\/span>\u00a0(je te dirai ce que c’est apr\u00e8s) a son propre truc.<\/span><\/p>\n<\/li>\n

  • \n

    Cantaor\/a :<\/strong><\/span>\u00a0Celui (ou celle) qui a les tripes (ou le c\u0153ur !) de se planter l\u00e0 et de mettre son \u00e2me \u00e0 nu avec sa voix. Chacun a son \u00ab\u00a0m\u00e9tal\u00a0\u00bb, sa sonorit\u00e9 unique. Certains te caressent, d’autres te griffent de l’int\u00e9rieur.<\/span><\/p>\n<\/li>\n

  • \n

    Cante Jondo :<\/strong><\/span>\u00a0Ouf. \u00c7a, c’est le truc s\u00e9rieux. Celui qui parle des chagrins profonds, de la mort, de la vie sans filtre. C’est le flamenco le plus ancien, celui qui a du poids.<\/span><\/p>\n<\/li>\n

  • \n

    Cante Chico :<\/strong><\/span>\u00a0L’autre face.\u00a0<\/span>Alegr\u00edas<\/span>,\u00a0<\/span>buler\u00edas<\/span>,\u00a0<\/span>tangos<\/span>… pour danser, pour rire, pour oublier les soucis un moment. Plus de rythme, plus de vie.<\/span><\/p>\n<\/li>\n

  • \n

    Afill\u00e1 (Voz) :<\/strong><\/span>\u00a0Tu sais, cette voix qui n’est pas ‘jolie’, mais qui te prend aux tripes ? Rauque, comme s’il y avait du sable dedans. C’est \u00e7a ! Pure authenticit\u00e9.<\/span><\/p>\n<\/li>\n

  • \n

    Jip\u00edo \/ Quej\u00edo :<\/strong><\/span>\u00a0Ce ‘Ay!’ d\u00e9chir\u00e9 qui s’\u00e9chappe. La plainte pure, au-del\u00e0 des mots. Si tu ne sens pas un pincement l\u00e0… c’est qu’il y a un probl\u00e8me.<\/span><\/p>\n<\/li>\n

  • \n

    Temple :<\/strong><\/span>\u00a0Ce petit moment juste avant de d\u00e9marrer. Le\u00a0<\/span>cantaor<\/span>\u00a0ferme les yeux, cherche la tonalit\u00e9, teste sa voix… Un silence s’installe, charg\u00e9 d’attente. Pure tension.<\/span><\/p>\n<\/li>\n

  • \n

    Letra :<\/strong><\/span>\u00a0Les petits couplets qu’ils chantent. Parfois ils sont vieux de plusieurs si\u00e8cles, parfois ils les inventent sur le moment. Courts, mais ils en disent long.<\/span><\/p>\n<\/li>\n

  • \n

    Remate :<\/strong><\/span>\u00a0La grande finale. Quand ils mettent vraiment le paquet pour conclure la\u00a0<\/span>letra<\/span>\u00a0ou le\u00a0<\/span>cante<\/span>. Boum ! C’est la fin de ce passage.<\/span><\/p>\n<\/li>\n<\/ul>\n

    Le Corps Commande : Le\u00a0<\/span>Baile<\/span>\u00a0et ses Mouvements<\/span><\/strong><\/h3>\n
      \n
    • \n

      Baile :<\/strong><\/span>\u00a0Quand le corps se met \u00e0 parler flamenco. \u00c7a peut \u00eatre \u00e9l\u00e9gant, sauvage, triste, joyeux… selon le moment.<\/span><\/p>\n<\/li>\n

    • \n

      Bailaor\/a :<\/strong><\/span>\u00a0Celui ou celle qui danse, bien s\u00fbr !<\/span><\/p>\n<\/li>\n

    • \n

      Zapateado :<\/strong><\/span>\u00a0Le boucan qu’ils font avec les pieds ! Rythme pur martel\u00e9 avec les talons et les pointes. \u00c7a peut \u00eatre doux ou comme une mitraillette.<\/span><\/p>\n<\/li>\n

    • \n

      Braceo :<\/strong><\/span>\u00a0La danse des bras et des mains. \u00c7a a l’air facile, mais quel art chez certains ! Ils accompagnent, dessinent des formes dans l’air…<\/span><\/p>\n<\/li>\n

    • \n

      Desplante :<\/strong><\/span>\u00a0Un arr\u00eat brusque, en se plantant avec attitude (attitude artistique, tu vois ?). Comme pour dire \u00ab\u00a0Me voil\u00e0.\u00a0\u00bb Utilis\u00e9 pour marquer la fin d’une section ou un changement.<\/span><\/p>\n<\/li>\n

    • \n

      Llamada :<\/strong><\/span>\u00a0Une frappe, un geste, un coup de pied fort… pour signaler aux musiciens : \u00ab\u00a0Attention, je change !\u00a0\u00bb ou \u00ab\u00a0\u00c0 toi maintenant !\u00a0\u00bb.<\/span><\/p>\n<\/li>\n

    • \n

      Salida :<\/strong><\/span>\u00a0Comment le\u00a0<\/span>baile<\/span>\u00a0commence. La mani\u00e8re d’entrer en sc\u00e8ne t’en dit long sur le\u00a0<\/span>palo<\/span>\u00a0et le\/la\u00a0<\/span>bailaor\/a<\/span>.<\/span><\/p>\n<\/li>\n

    • \n

      Marcaje :<\/strong><\/span>\u00a0Marquer le rythme avec des pas plus doux, en \u00ab\u00a0promenant\u00a0\u00bb le\u00a0<\/span>comp\u00e1s<\/span>\u00a0avant d’attaquer le dur.<\/span><\/p>\n<\/li>\n

    • \n

      Vueltas :<\/strong><\/span>\u00a0Des tours ! Rapides, lents, de toutes sortes. Ils ajoutent au spectacle.<\/span><\/p>\n<\/li>\n

    • \n

      Figura :<\/strong><\/span>\u00a0La pose finale d’un mouvement. Comme un instantan\u00e9 charg\u00e9 d’intention.<\/span><\/p>\n<\/li>\n<\/ul>\n

      La Guitare, le Rythme et le Matos :\u00a0<\/span>Toque<\/span>\u00a0et Instruments<\/span><\/strong><\/h3>\n
        \n
      • \n

        Toque :<\/strong><\/span>\u00a0Jouer de la guitare flamenca. Mais ce n’est pas juste accompagner, c’est bien plus !<\/span><\/p>\n<\/li>\n

      • \n

        Guitarrista (ou Tocaor) :<\/strong><\/span>\u00a0Celui\/Celle de la ‘<\/span>sonanta<\/span>‘ (la guitare). Il\/Elle enveloppe le\u00a0<\/span>cante<\/span>, donne le rythme au\u00a0<\/span>baile<\/span>, parfois sort des solos hallucinants.<\/span><\/p>\n<\/li>\n

      • \n

        Falseta :<\/strong><\/span>\u00a0Ce passage m\u00e9lodique que la guitare joue seule, entre les couplets du\u00a0<\/span>cante<\/span>, ou pendant que le\/la\u00a0<\/span>bailaor\/a<\/span>\u00a0reprend son souffle. Moment pour briller.<\/span><\/p>\n<\/li>\n

      • \n

        Rasgueado :<\/strong><\/span>\u00a0Quand ils balayent les cordes avec les doigts. Le son typique de la guitare flamenca, en y allant franco !<\/span><\/p>\n<\/li>\n

      • \n

        Tr\u00e9molo :<\/strong><\/span>\u00a0Une technique qui sonne comme une note qui tremble sans fin. Tr\u00e8s beau.<\/span><\/p>\n<\/li>\n

      • \n

        Picado :<\/strong><\/span>\u00a0Jouer des notes tr\u00e8s rapides et nettes, l’une apr\u00e8s l’autre. Pure vitesse.<\/span><\/p>\n<\/li>\n

      • \n

        Arpegio :<\/strong><\/span>\u00a0Jouer les notes d’un accord une par une, comme en les \u00e9grenant.<\/span><\/p>\n<\/li>\n

      • \n

        Caj\u00f3n :<\/strong><\/span>\u00a0Cette caisse en bois sur laquelle on s’assoit pour en jouer. Apparu il y a quelques d\u00e9cennies et maintenant presque incontournable. Donne une super pulsation rythmique.<\/span><\/p>\n<\/li>\n

      • \n

        Comp\u00e1s :<\/strong><\/span>\u00a0Le c\u0153ur du sujet ! Le sch\u00e9ma rythmique de base de chaque\u00a0<\/span>palo<\/span>. Peut \u00eatre en 2, 3, 4 temps… ou le cycle fou de 12 temps (<\/span>sole\u00e1<\/span>,\u00a0<\/span>alegr\u00edas<\/span>…). C’est la loi. Si tu sors du\u00a0<\/span>comp\u00e1s<\/span>, tout le monde l’entend !<\/span><\/p>\n<\/li>\n

      • \n

        Contratiempo :<\/strong><\/span>\u00a0Accentuer les contretemps, jouer\u00a0<\/span>contre<\/span>\u00a0le temps fort. Donne ce petit c\u00f4t\u00e9 syncop\u00e9 savoureux.<\/span><\/p>\n<\/li>\n

      • \n

        Silencio :<\/strong><\/span>\u00a0Attention ! Tout aussi important que le son. Le flamenco a besoin de respirer. Ces pauses sont charg\u00e9es de sens.<\/span><\/p>\n<\/li>\n<\/ul>\n

        Applaudissements et Ambiance : Le\u00a0<\/span>Jaleo<\/span>\u00a0et ce qu’on ressent<\/span><\/strong><\/h3>\n
          \n
        • \n

          Palmas :<\/strong><\/span>\u00a0Essentielles ! Elles accompagnent, marquent le rythme, donnent de la chaleur. Sans\u00a0<\/span>palmas<\/span>, le flamenco est bancal.<\/span><\/p>\n<\/li>\n

        • \n

          Palmas sordas :<\/strong><\/span>\u00a0Frappes plus douces, en creusant les mains. Fait pour ne pas couvrir le\u00a0<\/span>cante<\/span>\u00a0dans les moments d\u00e9licats.<\/span><\/p>\n<\/li>\n

        • \n

          Palmas abiertas (ou claras) :<\/strong><\/span>\u00a0Son sec et fort. Pour animer la f\u00eate !<\/span><\/p>\n<\/li>\n

        • \n

          Jaleo :<\/strong><\/span>\u00a0Les cris qu’on entend : \u00ab\u00a0<\/span>\u00a1Ol\u00e9!<\/span>\u00ab\u00a0, \u00ab\u00a0<\/span>\u00a1Vamos all\u00e1!<\/span>\u00ab\u00a0, \u00ab\u00a0<\/span>\u00a1As\u00ed se baila!<\/span>\u00ab\u00a0, \u00ab\u00a0<\/span>\u00a1Agua!<\/span>\u00ab\u00a0. C’est le public (ou les artistes eux-m\u00eames) qui encouragent, qui participent.<\/span><\/p>\n<\/li>\n

        • \n

          Duende :<\/strong><\/span>\u00a0Ah… celui-l\u00e0 est difficile \u00e0 expliquer. C’est quand quelque chose de magique, d’inexplicable se produit. Un frisson, la chair de poule… L’art \u00e0 l’\u00e9tat pur. On ne le cherche pas, il appara\u00eet ! (Ou pas).<\/span><\/p>\n<\/li>\n

        • \n

          Aire :<\/strong><\/span>\u00a0Le style personnel, la \u00ab\u00a0saveur\u00a0\u00bb unique que chaque artiste a dans sa mani\u00e8re de bouger, de chanter, de jouer. Leur personnalit\u00e9 faite flamenco.<\/span><\/p>\n<\/li>\n

        • \n

          Comp\u00e1s interior :<\/strong><\/span>\u00a0Porter le rythme en soi. Il y a des gens qui sont n\u00e9s avec \u00e7a, qui ne pourraient pas perdre le rythme m\u00eame en essayant.<\/span><\/p>\n<\/li>\n<\/ul>\n

          La Sc\u00e8ne et la Troupe : O\u00f9 et Qui<\/span><\/strong><\/h3>\n
            \n
          • \n

            Tablao :<\/strong><\/span>\u00a0L’endroit mythique. Petit, intime. Tu vois les artistes de pr\u00e8s, tu sens le plancher vibrer… L’exp\u00e9rience la plus authentique, pour moi.<\/span><\/p>\n<\/li>\n

          • \n

            Cuadro flamenco :<\/strong><\/span>\u00a0Le petit groupe qui joue :\u00a0<\/span>cante<\/span>,\u00a0<\/span>baile<\/span>,\u00a0<\/span>toque<\/span>\u00a0(guitare), et souvent\u00a0<\/span>palmas<\/span>\u00a0et\u00a0<\/span>caj\u00f3n<\/span>. La \u00ab\u00a0troupe\u00a0\u00bb.<\/span><\/p>\n<\/li>\n

          • \n

            Improvisaci\u00f3n :<\/strong><\/span>\u00a0Beaucoup de ce qui se passe est fait sur le vif. Ils se regardent, se comprennent… et hop ! C’est pourquoi chaque soir\u00e9e est diff\u00e9rente.<\/span><\/p>\n<\/li>\n

          • \n

            Ensayo :<\/strong><\/span>\u00a0Ce n’est pas parce qu’il y a de l’impro qu’ils ne r\u00e9p\u00e8tent pas, hein ? Les bases, les signaux… \u00e7a se travaille.<\/span><\/p>\n<\/li>\n

          • \n

            Actuaci\u00f3n en vivo :<\/strong><\/span>\u00a0Il faut le vivre en direct ! Oublie les vid\u00e9os. Le voir en vrai, c’est une autre histoire.<\/span><\/p>\n<\/li>\n

          • \n

            Silencio flamenco :<\/strong><\/span>\u00a0Ce moment juste avant quelque chose de fort (un\u00a0<\/span>remate<\/span>, un\u00a0<\/span>quej\u00edo<\/span>\u00a0puissant…). Tout le monde se tait, la tension est palpable. Intense !<\/span><\/p>\n<\/li>\n<\/ul>\n

            Deux ou trois trucs en plus<\/span><\/strong><\/h3>\n
              \n
            • \n

              Palo :<\/strong><\/span>\u00a0Les \u00ab\u00a0types\u00a0\u00bb ou styles de flamenco. Chacun a sa musique, son rythme, son ambiance :\u00a0<\/span>Alegr\u00edas<\/span>\u00a0(plus festives),\u00a0<\/span>Sole\u00e1<\/span>\u00a0(plus s\u00e9rieuse),\u00a0<\/span>Seguiriyas<\/span>\u00a0(pure douleur),\u00a0<\/span>Buler\u00edas<\/span>\u00a0(le grand chaos, souvent pour finir la f\u00eate)… Il y en a des tonnes.<\/span><\/p>\n<\/li>\n

            • \n

              Estilo :<\/strong><\/span>\u00a0Au sein de chaque\u00a0<\/span>palo<\/span>, il y a des variantes. Comme des \u00ab\u00a0versions\u00a0\u00bb d’un endroit pr\u00e9cis (Cadix, Jerez, Triana…) ou li\u00e9es \u00e0 un chanteur c\u00e9l\u00e8bre.<\/span><\/p>\n<\/li>\n

            • \n

              Letra tradicional :<\/strong><\/span>\u00a0Ces couplets qu’ils chantent qui semblent appartenir \u00e0 tout le monde et \u00e0 personne. Pure sagesse populaire.<\/span><\/p>\n<\/li>\n

            • \n

              Ay :<\/strong><\/span>\u00a0Ce n’est pas juste un soupir ! C’est une plainte qui se chante, s’\u00e9tire, se brise… Un mot qui\u00a0<\/span>est<\/span>\u00a0du pur flamenco.<\/span><\/p>\n<\/li>\n

            • \n

              Macho :<\/strong><\/span>\u00a0Un petit couplet court et percutant qu’ils ajoutent parfois \u00e0 la fin de certains\u00a0<\/span>cantes<\/span>.<\/span><\/p>\n<\/li>\n

            • \n

              Eco :<\/strong><\/span>\u00a0Quand le\u00a0<\/span>cantaor<\/span>\u00a0joue \u00e0 r\u00e9p\u00e9ter la fin d’une phrase ou un son.<\/span><\/p>\n<\/li>\n<\/ul>\n

              Et maintenant… va le sentir<\/span><\/strong><\/p>\n

              Bon, voil\u00e0, tu as quelques pistes pour plonger dans ce monde. Mais comme je disais : tu ne comprends vraiment que quand tu ressens ce pincement en direct. Alors, si tu peux…<\/span><\/p>\n

              Trouve un bon <\/span>tablao<\/span>, comme le\u00a0<\/span>Tablao Flamenco 1911<\/span>, et vis l’exp\u00e9rience !<\/span><\/strong><\/h2>\n

              <\/p>","protected":false},"excerpt":{"rendered":"Parlons Flamenco : Les 49 Mots Cl\u00e9s pour parler notre langue. Avant toute chose, tu dois savoir une chose : le flamenco, \u00e7a ne s\u2019apprend pas dans les livres \u2014 \u00e7a se vit.Je ne vais m\u00eame pas te demander si tu vas venir au Tablao Flamenco 1911, parce qu\u2019on sait que tu vas le faire…","protected":false},"author":8,"featured_media":53847,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[19],"tags":[],"class_list":["post-53835","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-flamenca"],"acf":[],"yoast_head":"\nGlossaire Flamenco - Tablao Flamenco 1911<\/title>\n<meta name=\"description\" content=\"Descubre el lenguaje del arte jondo con este glosario flamenco completo para entender el cante, el baile y el toque desde dentro.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Glossaire Flamenco - 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