{"id":23067,"date":"2023-07-23T14:24:59","date_gmt":"2023-07-23T12:24:59","guid":{"rendered":"https:\/\/tablaoflamenco1911.com\/es\/?p=23067"},"modified":"2026-03-02T17:36:18","modified_gmt":"2026-03-02T16:36:18","slug":"claudia-ruiz-caro-fotografia-flamenca","status":"publish","type":"post","link":"https:\/\/tablaoflamenco1911.com\/fr\/claudia-ruiz-caro-photographie-flamenca\/","title":{"rendered":"Claudia Ruiz Caro, photographie flamenca"},"content":{"rendered":"

<\/p>\n

Nous avons interview\u00e9 Claudia Ruiz Caro, photographe officielle de la Biennale de Flamenco de S\u00e9ville<\/strong> lors de sa XXI\u1d49 \u00e9dition, dont le travail se concentre sur l\u2019aspect le plus anthropologique et documentaire du flamenco. Originaire de Barcelone, elle vit actuellement \u00e0 Jerez de la Frontera, une ville qui lui a permis d\u2019aborder le flamenco d\u2019une mani\u00e8re intime et locale.<\/p>\n

\u00c0 quel moment commence ton lien avec le flamenco ?<\/strong><\/h5>\n

J\u2019ai commenc\u00e9 fin 2015, car je venais de Barcelone apr\u00e8s avoir fait un master en photographie de spectacle et \u00e9videmment, \u00e0 Jerez, ce qu\u2019il y a, c\u2019est du flamenco<\/strong>. Petit \u00e0 petit, je suis entr\u00e9e dans le monde des concerts, et finalement, j\u2019ai commenc\u00e9 \u00e0 faire des pochettes d\u2019albums, \u00e0 travailler pour des festivals, \u00e0 couvrir des \u00e9v\u00e9nements\u2026 Chez moi, on a toujours \u00e9cout\u00e9 du flamenco comme genre musical, mais mon vrai contact, en tant que photographe, a eu lieu en 2015.<\/p>\n

En parlant de ton style\u2026 Quels sont tes r\u00e9f\u00e9rences et pourquoi t\u2019identifies-tu \u00e0 eux ?<\/strong><\/h5>\n

Mes r\u00e9f\u00e9rences sont Pepe Lamarca, Colita, Jacques L\u00e9onard\u2026 surtout Pepe, celui que j\u2019ai le plus pr\u00e8s de moi. J\u2019ai aussi un lien avec Colita ; ce sont un peu mes piliers.<\/p>\n

\n

\u00ab Pepe est mon ma\u00eetre, c\u2019est \u00e0 lui que je pose toutes mes questions \u00bb<\/em><\/strong><\/p>\n<\/blockquote>\n

Je m\u2019identifie \u00e0 eux parce qu\u2019ils regardent le flamenco sans y participer<\/strong>, ils l\u2019observent simplement et le laissent s\u2019exprimer naturellement \u2014 c\u2019est aussi comme \u00e7a que je travaille.<\/p>\n

\"\"

Claudia lors de son exposition \u00ab\u00a0Adocamele\u00a0\u00bb avec Pepe Lamarca. Photo : Antonio Benamargo<\/p><\/div>\n

Concernant ton exp\u00e9rience en photographie\u2026 Comment vis-tu l’exp\u00e9rience dans les tablaos<\/strong> par rapport aux th\u00e9\u00e2tres<\/strong> ?<\/h5>\n

J’aime particuli\u00e8rement le tablao<\/strong> car il me semble qu’il se situe \u00e0 mi-chemin entre une f\u00eate flamenca priv\u00e9e, plus personnelle et d\u00e9contract\u00e9e, et le th\u00e9\u00e2tre<\/strong>, qui me semble plus froid envers le public. Le tablao<\/strong>, je pense, a ce juste point de connexion.<\/p>\n

\"\"<\/b><\/h5>\n
Comment int\u00e8gres-tu la communaut\u00e9 gitane dans tes photographies ?<\/h5>\n

J’ai orient\u00e9 mon travail principalement vers le monde du cante<\/strong> et de la guitarra<\/strong>, et depuis Jerez, ce que nous avons ici est certainement li\u00e9 \u00e0 la communaut\u00e9 gitane. Ils sont les protagonistes de mon travail et, en plus de cela, je leur dois tout. Ils m’ont ouvert les portes de leur art et de leur maison.<\/p>\n

\n

\u00ab\u00a0Le peuple gitano est la base de mon travail\u00a0\u00bb<\/em><\/h4>\n<\/blockquote>\n

\"\"<\/p>\n

Avez-vous l’intention d’exposer \u00e0 Madrid ?<\/h5>\n

Oui, j’ai l’intention d’exposer \u00e0 Madrid, la derni\u00e8re fois c’\u00e9tait \u00e0 Casa Patas en 2019. La prochaine fois sera \u00e0 Barcelone, en novembre.<\/p>\n

Est-ce votre premi\u00e8re fois au Tablao Flamenco 1911 (anciennement Villa Rosa) ?<\/h5>\n

Oui, c’est la premi\u00e8re fois. Quand c’\u00e9tait Villa Rosa, je vivais encore \u00e0 Madrid et j’\u00e9tais tr\u00e8s impliqu\u00e9e dans le C\u00edrculo Flamenco de Madrid, et \u00e0 cause des horaires, je ne pouvais jamais venir vous voir. Honn\u00eatement, cela me fait plaisir de vous voir si vivants. Le spectacle m’a sembl\u00e9 dynamique ; il a l’\u00e9quilibre parfait pour capter l’attention du public sans l’accabler.<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"Nous avons interview\u00e9 Claudia Ruiz Caro, photographe officielle de la Biennale de Flamenco de S\u00e9ville lors de sa XXI\u1d49 \u00e9dition, dont le travail se concentre sur l\u2019aspect le plus anthropologique et documentaire du flamenco. Originaire de Barcelone, elle vit actuellement \u00e0 Jerez de la Frontera, une ville qui lui a permis d\u2019aborder le flamenco d\u2019une…","protected":false},"author":7,"featured_media":23106,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-23067","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-flamenco"],"acf":[],"yoast_head":"\nClaudia Ruiz Caro, photographie flamenca - Tablao Flamenco 1911<\/title>\n<meta name=\"description\" content=\"Claudia Ruiz Caro, fot\u00f3grafa oficial de la Bienal de Flamenco, nos comparte su visi\u00f3n del flamenco y su experiencia en Tablao Flamenco 1911.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Claudia Ruiz Caro, photographie flamenca - 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