{"id":54057,"date":"2025-07-04T13:56:52","date_gmt":"2025-07-04T11:56:52","guid":{"rendered":"https:\/\/tablaoflamenco1911.com\/es\/?p=54057"},"modified":"2026-03-02T17:05:44","modified_gmt":"2026-03-02T16:05:44","slug":"los-secretos-del-manton-de-manila-con-paula-rodriguez-lazaro","status":"publish","type":"post","link":"https:\/\/tablaoflamenco1911.com\/en\/manton-de-manila\/","title":{"rendered":"The Secrets of the Mant\u00f3n de Manila with Paula Rodr\u00edguez L\u00e1zaro"},"content":{"rendered":"

There are moments on the stage of Tablao Flamenco 1911 that take your breath away. One of them is, without a doubt, when a bailaora makes the <\/span>Mant\u00f3n de Manila<\/b> fly. That cascade of silk and fringes that becomes wings, a cape, a whirlwind of color… it’s pure flamenco magic! But that flight doesn’t come from nowhere; it demands a mix of strength and delicacy that is an art in itself.<\/span><\/p>\n

We are privileged to have an artist who masters it like few others: <\/span>Paula Rodr\u00edguez L\u00e1zaro.<\/b> That\u2019s why we sat down with her here, on the storied stage of our centennial venue, to uncover the secrets hidden in each of those flights.<\/span><\/p>\n

What does the mant\u00f3n mean to you?<\/b><\/h2>\n

Let\u2019s get to the heart of it, Paula. For those of us sitting down, we see a beautiful piece of fabric flying. But for you, who live it from within, what really is the mant\u00f3n? An extension of your body, a weight to tame, another voice in your dance?<\/b><\/p>\n

“The mant\u00f3n is an element full of tradition. As a bailaora, it enriches me, gives me confidence and freedom. It brings color, character, and a very different movement to my dance. It is, without a doubt, an extension of my body. Its movement must fully adapt to the dancer\u2019s body and choreography: to her shape, her form, her energy\u2026 Sometimes it should flow gently; other times, it must fly with strength or even aggressiveness. It all depends on what you want to express.”<\/span><\/i><\/p>\n

Is the mant\u00f3n still relevant today?<\/b><\/h2>\n

Of course \u2014 because that image of the mant\u00f3n is so powerful that it sometimes seems anchored in the past. Does it still have something to say today? Or does it run the risk of becoming a clich\u00e9 if not handled with the truth of today\u2019s flamenco?<\/b><\/p>\n

“I believe we, as bailaoras, are very aware of the importance of the mant\u00f3n\u2014not letting it be forgotten and continuing to use it as part of our tradition and culture. It’s true that we still carry a slightly old-fashioned image: that of women with the mant\u00f3n draped over their shoulders. Even so, in the world of dance, the mant\u00f3n has its place, its recognition, and\u2014above all\u2014is deeply respected because it\u2019s one of the most complex elements to master.<\/span><\/i><\/p>\n

Of course, it still has a lot to say today. It’s an image deeply rooted in tradition and culture\u2014not just Spanish, since the mant\u00f3n has Eastern origins\u2014which gives it even more richness. But what\u2019s most interesting is that today it\u2019s being redefined: it\u2019s no longer just a decorative garment to enhance appearance, but also a technical and expressive resource that brings new qualities and movement possibilities to the dance. These may not be orthodox forms, but they are truly original, creative, and very relevant.”<\/span><\/i><\/p>\n

\"El<\/p>\n

Dancing with the mant\u00f3n at Tablao Flamenco 1911<\/b><\/h2>\n

Here at Tablao 1911, with the closeness of the audience, does it feel different to dance with the mant\u00f3n? Does it allow the details of the movement, the embroidery, to be better appreciated?<\/b><\/p>\n

“The stage at Tablao 1911 is very large and spacious, which allows you to move freely and make full use of the space. Added to that is the closeness of the audience, which is quite unique \u2014 you can even feel the cold air stirred by the mant\u00f3n as it moves. Sometimes I take such risks dancing near the edge of the stage that the fringes brush over the heads of the guests. It\u2019s definitely something very special.”<\/span><\/i><\/p>\n

In which <\/b>palos<\/i><\/b> do you enjoy the mant\u00f3n the most?<\/b><\/h2>\n

Are there flamenco <\/b>palos<\/i><\/b> where you especially enjoy using the mant\u00f3n here at 1911? Maybe some Alegr\u00edas, a Ca\u00f1a…? Why?<\/b><\/p>\n

\u201cHonestly, I use the mant\u00f3n in almost every palo, because I love exploring different ways of interpreting it. Alegr\u00edas with bata de cola and mant\u00f3n is the most traditional, of course, but when you use it in a Sole\u00e1, for example, the movement and the energy it creates are completely different\u2026 and I love that. Lately, for Alegr\u00edas, I\u2019ve been using the fan more than the mant\u00f3n, but if it\u2019s paired with a bata de cola, I adore it. I use it a lot in the Ca\u00f1a \u2014 I really love it \u2014 and lately I\u2019ve been exploring Tientos as well, and I\u2019m very excited about that too.\u201d<\/span><\/i><\/p>\n

The technique behind the flight<\/b><\/h2>\n

Dancing with a mant\u00f3n requires a very specific technique, right? What is the most difficult thing to master so that the mant\u00f3n \u201cflies\u201d with that apparent ease?<\/b><\/p>\n

\u201cI love this question, because I think many people, when they see you dancing with the mant\u00f3n, believe it all depends on arm and chest strength\u2026 and it really doesn\u2019t. I, for example, have strong legs, but not so much upper body strength. And the mant\u00f3n doesn\u2019t require force. In fact, if you see a bailaora using too much strength to move it, she probably doesn\u2019t have much technique.<\/span><\/i><\/p>\n

The mant\u00f3n demands precision: knowing how to place your hand correctly and using your own body movement in favor of the mant\u00f3n. That\u2019s where a technical, elegant, and beautiful flight is truly achieved. If it\u2019s forced too much, it\u2019s likely being misused.\u201d<\/span><\/i><\/p>\n

Any special mant\u00f3n in your collection?<\/b><\/h2>\n

We\u2019ve seen some stunning mantones. Do you have a special or favorite one in your personal collection? Any story behind any of them?<\/b><\/p>\n

“My favorite mant\u00f3n is, without a doubt, the one I used to win the prize for best female desplante in 2021 at Las Minas. It cost me a fortune, but it made me incredibly happy, and I\u2019ll keep it in my wardrobe forever. I\u2019ve sold many, dyed others\u2026 I remember a beautiful white one I used so much it couldn\u2019t even be washed anymore, so I dyed it black and pale pink. Many mantones have passed through my hands \u2014 some ended up with my students \u2014 but that one, in particular, is very special to me.<\/span><\/i><\/p>\n

And beyond the personal, there\u2019s a mant\u00f3n we all think of when we talk about flamenco history: Blanca del Rey\u2019s. She used it in her Sole\u00e1. It\u2019s a true work of art \u2014 majestic, stunning. A black mant\u00f3n with beige fringes, almost off-white\u2026 It\u2019s an iconic piece and a reference for all bailaores.”<\/span><\/i><\/p>\n

Advice for the audience<\/b><\/h2>\n

From the perspective of the audience who comes to 1911, what details of dancing with the mant\u00f3n would you recommend we pay attention to in order to appreciate it better?<\/b><\/p>\n

\u201cI think the audience would be surprised to know how much a mant\u00f3n actually weighs. Many say, \u2018that must be heavy,\u2019 but when they hold it, they don\u2019t expect it to be that heavy. That\u2019s why my first recommendation is to enjoy it \u2014 to observe its movement, but also to notice the technical difficulty behind it.<\/span><\/i><\/p>\n

Dancing with a mant\u00f3n involves a lot of risk: it can get caught anywhere, often in the most unexpected places\u2026 a hairpin, an earring, a flower, a small nail on the floor, even a wooden beam in the ceiling. It\u2019s an imposing element that demands attention and respect.\u201d<\/span><\/i><\/p>\n

\"Paula<\/p>\n

Dancing with history and tradition<\/b><\/h2>\n

As an artist who is part of the cast of this historic tablao, what do you feel when dancing with such a traditional element as the mant\u00f3n on a stage as iconic as the old Villa Rosa?<\/b><\/p>\n

“When I dance as part of the Tablao 1911 cast, performing on this historic stage \u2014with or without the mant\u00f3n\u2014 is a true privilege and a great responsibility. Many important artists have performed here, and being part of that history is a huge honor.<\/span><\/i><\/p>\n

Also, the Mant\u00f3n de Manila really shines in this space. The tiles, the paintings\u2026 the entire setting transports you to another era, to those times when women wore the mant\u00f3n with such natural elegance. That\u2019s why this stage is a special place to use it \u2014 it truly stands out.”<\/span><\/i><\/p>\n

The emotion the mant\u00f3n conveys<\/b><\/h2>\n

To end, what emotion or feeling do you seek to transmit to the audience at Tablao 1911 when you dance with the mant\u00f3n?<\/b><\/p>\n

“When I dance with the mant\u00f3n at 1911, my biggest wish is that the audience ends up falling in love with the mant\u00f3n… and with my dancing. Many times, after the show, they tell me: \u2018I loved what you did with the scarf.\u2019 And I always reply: \u2018It\u2019s called a mant\u00f3n.\u2019 Because many people don\u2019t know the tradition and history behind it.<\/span><\/i><\/p>\n

With deep respect for the audience, for dance, and for art, I try to convey that love and emotion that can be awakened when watching a bailaora move a mant\u00f3n full of cultural weight. It\u2019s a gesture rooted in the past, and it has soul.”<\/span><\/i><\/p>\n

Don\u2019t miss the magic of the Mant\u00f3n de Manila with Paula Rodr\u00edguez L\u00e1zaro at Tablao Flamenco 1911.<\/span><\/p>\n

Book your tickets here and experience a night full of emotion and art. We\u2019re waiting for you!<\/i><\/b><\/a><\/p>","protected":false},"excerpt":{"rendered":"There are moments on the stage of Tablao Flamenco 1911 that take your breath away. One of them is, without a doubt, when a bailaora makes the Mant\u00f3n de Manila fly. That cascade of silk and fringes that becomes wings, a cape, a whirlwind of color… it’s pure flamenco magic! But that flight doesn’t come…","protected":false},"author":8,"featured_media":54015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[19],"tags":[],"class_list":["post-54057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-flamenca"],"acf":[],"yoast_head":"\nThe Secrets of the Mant\u00f3n de Manila with Paula Rodr\u00edguez L\u00e1zaro - Tablao Flamenco 1911<\/title>\n<meta name=\"description\" content=\"Discover the secrets of the Mant\u00f3n de Manila with Paula Rodr\u00edguez L\u00e1zaro. 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